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Sarah Hegenbart From Bayreuth to Burkina Faso
Christoph Schlingensief’s Opera Village Africa as postcolonial Gesamtkunstwerk?
Opera Village Africa, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner's notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner's introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief's attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in...
Non-fictie
Engels | PDF, 16 MB | Leuven University Press, Leuven | 2022
E-book
Olga Smith Contemporary photography in France
between theory and practice
This compelling publication traces the broad arc of photography's development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy - the writings of Roland Barthes, Jean Baudrillard, and...
Non-fictie
Engels | PDF, 13 MB | Leuven University Press, Leuven | 2022
E-book
Kadoc Territories of faith
religion, urban planning and demographic change in post-war Europe
In the 1950s and 1960s, thousands of churches were built across Europe in an attempt to keep up with the continent's rapid urbanisation. This book addresses the immense effort related to the planning, financing, and construction of this new religious infrastructure. Going beyond aspects of style and liturgy, and transcending a focus on particular architects or regions, this volume considers church building at the crossroads of pastoral theology, religious sociology, and urban planning. Presenting...
Non-fictie
Engels | PDF, 6,3 MB | Leuven University Press, Leuven | 2022
E-book
Jan Van Caneghem The book that helps you become the epic designer of our tomorrows
... and that everyone needs to read
The book that helps you become the EPIC designer of our tomorrows wants to convince you about the need for creative thinking and, in an applied form, design thinking . We investigate the nature of creative thinking and how that is undervalued in education and corporate life. We gather an understanding of the emphasis on R&D in organisations and governmental support and why it is harming businesses and the people they work for. With the EPIC design maturity model , we help to emphasise that empathy,...
Engels | 216 pagina's (ePub3, 1,6 MB) | BORGERHOFF & LAMBERIGTS, Brussel | 2022
E-book
Gideon Karting Never work with your idols
35 commandments for a successful career in the music industry
For more than twenty years Gideon Karting has been a fixture in the music industry. He started at the bottom as a concert billposter and worked his way up to the highest level of concert promotion. He was one of the top promoters in the Netherlands, having promoted all the Dutch shows of a wide range of leading artists, including Lady Gaga, Harry Styles, Adele, One Direction, Arctic Monkeys, Bruno Mars, and BTS. For many years he was also responsible for the programming of major festivals like Lowlands,...
Non-fictie
Engels | 180 pagina's (ePub2, 3,1 MB) | Outliner Books, Rotterdam | 2022
E-book
Orpheus Institute Sound work
composition as critical technical practice
The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and...
Non-fictie
Engels | 376 pagina's (PDF, 23 MB) | Leuven University Press, Leuven | 2021
E-book
University of Edinburgh The art of being dangerous
exploring women and danger through creative expression
The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what...
Non-fictie
Engels | 253 pagina's (PDF) | Leuven University Press, Leuven | 2021
E-book
Gabriella Nugent Colonial legacies
contemporary lens-based art and the democratic republic of Congo
In Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based in the Congo whose lens-based art attends to the afterlives and mutations of Belgian colonialism in postcolonial Congo. Focusing on three artists and one artist collective, Nugent analyses artworks produced by Sammy Baloji, Michèle Magema, Georges Senga and Kongo Astronauts, each of whom offers a different perspective onto this history gleaned from their own experiences. In their photography and video...
Non-fictie
Engels | PDF, 51 MB | Leuven University Press, Leuven | 2021
E-book
Orpheus Institute Machinic assemblages of desire
Deleuze and Artistic Research 3
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, "assemblage" is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages...
Non-fictie
Engels | PDF, 27 MB | Leuven University Press, Leuven | 2021
E-book
Orpheus Institute Experience music experiment
pragmatism and artistic research
"Truth happens to an idea." So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of "doing and undergoing." But what do these ideas have to do with music, or with research conducted in and through music-that is, with "artistic research"? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses...
Non-fictie
Engels | PDF, 15 MB | Leuven University Press, Leuven | 2021
E-book
Photography’s materialities
transatlantic photographic practices over the long nineteenth century
There is little dispute that photography is a material practice, and that the photograph itself is ineluctably material. And yet "matter," "material," and "materiality" have proven to be remarkably elusive terms of inquiry, frequently producing studies that are disparate in scope, sharing seemingly little common ground. Although the wide methodological range of materialist study can be dizzying, it is this book's contention that that multiplicity is also the field's greatest asset, keeping materialist...
Non-fictie
Engels | PDF, 9,2 MB | Leuven University Press, Leuven | 2021
E-book
Louvre Abu Dhabi Worlds in a museum
exploring contemporary museology
Held on the occasion of Louvre Abu Dhabi's first anniversary, the symposium Worlds in a Museum addressed the topic of museums in the era of globalisation, exploring contemporary museology and the preservation and presentation of culture within the context of changing societies. Departing from the historical museum structure inherited from the Enlightenment, leading experts from art, cultural, and academic institutions explore present-day achievements and challenges in the study, display and interpretation...
Non-fictie
Engels | PDF, 57 MB | Leuven University Press, Leuven | 2020
E-book
Stefan Östersjö Listening to the other
Our contemporary, globalised society demands new forms of listening. But what are these new forms? In Listening to the Other, Stefan Östersjö challenges conventional understandings of the ways musicians listen. He develops a transmodal understanding of listening that is situated in the body-a body that is extended by its mediation through musical instruments and other technologies. Listening habits can turn these tools-and even the body itself-into resistant objects or musical Others. Supported...
Non-fictie
Engels | PDF, 6,3 MB | Leuven University Press, Leuven | 2020
E-book
Orpheus Institute Performance, subjectivity, and experimentation
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents "an" individual or "a" group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this...
Non-fictie
Engels | PDF, 4,2 MB | Leuven University Press, Leuven | 2020
E-book
Alexandra Moschovi A gust of photo-philia
photography in the art museum
Photography was long regarded as a "middle-brow" art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book-part institutional history, part account of shifting photographic theories and practices-Alexandra Moschovi tells the story of photography's accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre...
Non-fictie
Engels | PDF, 18 MB | Leuven University Press, Leuven | 2020
E-book
Orpheus Institute Voices, bodies, practices
performing musical subjectivities
Identity and subjectivity in musical performances. Who is the "I" that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice...
Non-fictie
Engels | PDF, 31 MB | Leuven University Press, Leuven | 2019
E-book
Orpheus Institute Sensorial aesthetics in music practices
The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics-the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of...
Non-fictie
Engels | PDF, 24 MB | Leuven University Press, Leuven | 2019
E-book
Luc Smekens The art pope
The Art Pope is a critique on contemporary art and the way the Belgian state treats its visual artists. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | 26 pagina's (ePub2, 0,1 MB) | Schrijverspunt, Almelo | 2018
E-book
Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
Yves Knockaert Wolfgang Rihm, a chiffre
the 1980s and beyond
Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his...
Non-fictie
Engels | PDF, 3 MB | Leuven University Press, Leuven | 2018
E-book
Kunst & Cultuur